This piece received a MidAtlantic Emmy Nomination. We wrote the script on this in an effort to get our fans fired up for a big game against Tampa Bay the year following their Super Bowl win. On the shoot, I was able to direct Morris Chestnut in his delivery of the lines and run logistics on getting him into town between his shooting schedules. I was the lead editor on this piece.

This shoot and video was done in collaboration with another producer. We came up with the concept and sourced local help to keep our shoot under budget. We shot on 2 performance stages in one location and were able to cycle through nearly 30 players in our allotted time window. I directed one performance stage and coached players through our shot list, requesting specific actions based on the player's personality and position. The video edit is a 64x9 piece to be used in our stadium, which poses its own set of challenges and skill to edit for unique spaces. The size allowed me to play with timing and movement of each shot to the music.

A group of four producers collaborated to create this piece, from original script writing to music sourcing and on to final edit. My role in this was lead editor.

This video came together with a collaboration with another producer on our team. We were tasked with coming up with a unique way to introduce our new all black look, so we came up with initiating a "nationwide blackout". We used inspiration from Batman: The Dark Knight for our intro shots and then I actually am the actor "sneaking" into a high voltage room and pulling the lever. I lead the edit on the piece and used our in house audio team to add sound design.

This video concept came to me through my junior content producer. He pitched this as these long drone flights were starting to become popular on social media. I went to work on researching production companies, flying licenses, shoot permits, etc. to bring this video to life. I arranged our tailgate with our corporate team to help get some product in and brought in Season Ticket Members to engage them in this project. My content producer created the final edit of this piece!

This video had dual purpose - it was used to lead the cheerleaders out onto the field and was later posted to their social accounts. I produced this shoot, created the graphics and edited this video. The music was a collaboration with our in-house composer to have a custom song created for this piece.

Video celebrating our baseball coach becoming the winningest head coach in NCAA history. My role in this video was set design and assistant directing/concept development. As a team, we gathered trophies, photographs, newspapers, etc. from years of archives (and also curated a few pieces of our own that we couldn't find hard copies of) to dress the set and tell the nearly 40 year story of Mike Martin.

I was tasked with re-imagining our long standing Rocky video that runs at kick off. The concept here was to pull together an old school boxing poster look with our current brand assets and use comparisons of a boxer preparing to fight along with our players preparing to play. I produced this additional boxing shoot as well as lead communications/art design on this project through an outside company.

This video is one that I adapted from our usual "Rocky" tradition so that it would fit the screens at Super Bowl LVII. I took the video I had made in 64x9, brought it down to 16x9 and then imported it into the After Effects project our vendor had given us. I then adjusted all of the effects and compositions in the project to make this piece work.